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            | This is an excerpt from "Prehistoric
                  Small Art at It’s Finest ".  Read the complete column in the Central
                  States Archaeological Societies 2022
                  July Journal which can be purchased on-line after March
                  2023
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            |  |  Webster defines art as: “(1) skill that comes through experience
          or study; (2) an activity that requires skill; (3) an activity (as
          painting, music, or writing) whose purpose is making things that are
          beautiful to look at, listen to or read; and (4) works (as pictures,
          poems, or songs) made by artists.” There is a saying that beauty
          or art is in the eye of the beholder. Hence, art can be considered
          as a matter of personal opinion. Personally, I enjoy paintings, sculptures
          and certain types of music, and consider some of the finest modern
          artworks to be Grant Wood’s American Gothic (1930), John James
          Audubon’s Wild Turkey, Winslow Homer’s Breezing Up “A
          Fair Wind,” Frederic Remington’s “Coming Through
          the Rye,” and C.M. Russell’s “Smoking Up.” Western
          sculptures and the Beach Boys music are favorites also. Prehistoric
          peoples also enjoyed their fine art.  The earliest prehistoric cave painting, that of a life sized picture
            of a wild pig, can be traced back to Indonesia, dating earlier than
            45,000 years ago. European cave paintings first appeared in southeastern
            France and are thought to be approximately 30,000 years old. Paleolithic
            peoples had their “sculptures in stone” too. One classic
            example is the Venus of Willendorf, a female figurine found near
            Willendorf, Austria in 1908. The statuette is 4 ?” tall and
            is made of oolitic limestone tinted with red ochre pigment. The statue
            has been dated to 25,000 BC and is believed to be that of a fertility
            goddess. Pieces of stone effigy artwork didn’t appear in North America
            until late in the Archaic Period (3000 to 500 BC). In the Midwest,
            the first artisans of effigy figures were most likely the Glacial
            Kame and Red Ocher peoples as their long-necked birdstones are much
            admired and highly collectable artforms today. The oldest effigy
            in the writer’s collection is that of a prehistoric animal
            pipe. The pipe has a face of a crocodile and the body of a rhinoceros.
            It was found in Vanderburgh County, Indiana near the Ohio River and
            was made of quartzite which was probably fashioned 4,000- 4,500 years
            ago. We call it “the Prehistoric Monster Pipe.”As time
            progressed, specimens of North American prehistoric artworks became
            more refined. The Early Woodland people of the Adena Culture (500
            BC to AD 300) (a.) changed their birdstone designs to that of the
            bust type, (b.) formulated the Great Pipe effigy art form tradition,
            and (c.) created engraved stone tablets with complex and artistic
            designs. Perhaps the Adena culture’s most notable work of art
            is that of the “Adena Man” pipe, found at the original
            Adena Mound, Chillicothe, Ohio in 1901. The pipe dates to 100 BC
            to AD 100 and portrays a male dwarf in full dress regalia. It is
            7 7/8” high and was carved and fashioned from Ohio grayish-brown
            pipestone.  Many people, including the author believe that the Middle Woodland
            Period’s Hopewell Culture took art to the topmost levels in
            terms of prehistoric metal and stonework. The Middle Woodland Period
            existed from approximately 200 BC to AD 500 (depending on geography)
            and ranged from central New York state westward to the Mississippi
            River, and from Ontario south to the Gulf shores. The two Hopewell
            epicenters were located in south-central Ohio (Ohio Hopewell) and
            western Illinois (Havana Hopewell and Crab - Orchard Hopewell). While
            the Hopewell were not an organized nation, their lifestyle, religious
            and burial practices, and fabrications are widely distributed across
            an area much larger than their habitation base. The Hopewell produced
            some of the finest craftwork found in North America. Their trade
            network was expansive as they found or obtained a wide variety of
            materials such as mica, galena, copper, silver, shark teeth, steatite,
            pipestone, flint, obsidian and marine shell. From these they fashioned
            a variety of ......   Read the complete column in the Central States Archaeological Societies 2022
              July Journal which can be purchased on-line after March 2023 | 
		      
 
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